Film review: Cinderella and Frozen Fever

Ramona meets a prince and checks out a glass slipperIt feels faintly confessional to declare I bloody love Kenneth Branagh. I do. I think he’s great. I love his acting. I love his direction. I love that he brought us Thor (and, via the marvellous Wallander, Tom Hiddleston). I love that he was married to Emma Thompson. And even though I really, really wanted Toby Stephens to be cast as Gilderoy Lockhart, I love that he’s a part of the Harry Potter film universe. So I didn’t need a whole lot of convincing to watch his take on Cinderella.

And to top it all, I got to be among the very first people in the UK to get to see Frozen Fever, which has nothing to do with Kenneth Branagh, but is basically me bragging. Sorry. Ish. More on this later (or you can just scroll to the bottom).

Branagh’s Cinderella is a live action retelling of the fairytale; it doesn’t have a particular  alternative spin, a la Maleficent, and – wisely, in my opinion – it doesn’t really seek to do much more than reinvigorate a well-loved tale. Disney’s animated classic, still looking gorgeous at 65, is one of the gentlest of the whole stable, with relatively little peril and a liberal sprinkling of glitter and stardust – in fact, it’s said Walt’s favourite bit of animation was the dress transformation. Branagh restrainedly doesn’t attempt to layer too much onto that and goes instead for a very traditional family movie, marrying a sweet, intimate script peppered with British quirk to the visual sumptuousness of a Hollywood blockbuster.

Ramona gets her nails painted a glittery blueIn fact, so lavish is the imagery – particularly the mindblowingly gorgeous costume design – that only an excellent cast could avoid being swallowed up by it. While Lily James is a bit too breathless for my preference – kindness doesn’t have to mean a lack of gumption – Richard Madden is appropriately charming and Cate Blanchett, in the accurate words of my husband “becomes more beautiful and more intimidatingly talented with every role”. Her Lady Tremaine is wonderfully nuanced and even a little sympathetic, swinging smoothly from uncontrolled bursts of rage to icily arresting viciousness. In this she’s ably assisted by the secondary villain, a megalomaniac aristocrat brought to scheming life by Stellan Skarsgard (yep, love him too) and Holliday Grainger and Sophie McShera in gloriously grotesque form as Anastasia and Drizella – in fact, I could have done with even more of the latter pairing.

Ramona, the Prince and me.The show is, however, stolen by the special guest star; Helena Bonham Carter opts for feather-light British eccentricity with a touch of sly humour as the Fairy Godmother; her soft voice shepherds us through the heavily narrated action and her eventual appearance involves plenty of daft physical comedy, making gleeful use of elements like her bizarre choice of vehicular vegetable. She lifts the pace of what is a surprisingly long movie and keeps it from sagging at the centre, providing the off-beat heart of the film. Injecting a little more drama into the magic also sets up a lively and welcome stroke-of-midnight set piece, which, with its ‘princess’ trapped in a shrinking pumpkin, has more than a whiff of Alice about it.

From the largely home-grown cast to the indulgent little asides (a Rob Brydon cameo that wasn’t for me, but that seemed to land well with the rest of the audience), this felt like a very British effort, and it’s that layer of deliberate quirk that brings it to life and makes it a highly watchable, sweet and very, very pretty family film.

The four-year-old’s verdict: It was good. I think it’s better than the cartoon. Cinderella was nice. It was a bit long though and I got tired. There were some funny bits [she laughed during the painter scene, and at the animal transformations].

Family note: Aside from two – very gentle – depictions of death and, of course, Lady Tremaine’s acerbic treatment of Cinders, there’s little to worry about here for even the most sensitive child. Definitely a full family friendly film (I like alliteration).

Cinderella is on general release in the UK from March 27th.


And now, Frozen Fever. Well, it certainly has its moments! Without wishing to give too much away, the action unfolds on Anna’s birthday where Elsa’s attempts to give her a celebration to remember go a little awry (think Tangled Every After with more snow). There’s a new song to enjoy, and plenty of Olaf gags, plus cameos from practically every character you’d want to see. Ramona watched avidly and chuckled out loud a few times, as did I. And it was nice to hear Jonathan Groff sing a little about something other than reindeer…

Disclosure: The kind folks at Disney UK provided screening tickets including the funtimes shown above; thoughts about the film, however, are entirely mine.

Review: 6teas Liquid Tea Concentrate

The 6teas bottle from each sideMy sister gives marvellously good presents. From Barbican and BFI membership (for reals, she’s great) to random infusions of goodies, she is a thoughtful soul. On her last visit to London, she bore with her this curious drink – a loose leaf tea liquid concentrate in a bottle.

The 6teas premise is simple. They brew, blend and bottle loose leaf teas in, well, six varieties from vanilla roiboos to green. The flavour K chose for me (knowing me well) was an Assam and Darjeeling blend known as the ‘Big Daddy House Blend’. Each bottle has six servings, and serving sizes are marked in a scale down the side. The tea looks pretty cloudy at this stage – like that horrible tea with a drop of milk some people insist on slurping (make a commitment – milk or no milk).

IMG_4916Now, I do love me some loose leaf tea, and I’ve become a really ridiculous tea snob, it’s true. Once you’ve got in the habit of properly brewing and drinking it, you realise that most teabags do actually taste of stewed powder and paper, and if you drink black tea – both type and milk status, as I often do – it’s simply not appealing from a bag. I’ve taken to only drinking roiboos in the office as the teabags are less grim (yes, yes, privileged problems, I think we’ve established that).  Still, I thought it was possible that liquid tea concentrate might be taking my tea hipster credentials just a tad far and – I admit – I thought it might taste a bit peculiar.

So, in with the serving into a mug, giving it a quick sniff (really rather nice). I went with a whole serving to begin with, although many of my mugs and teacups are quite small and K had said she goes for a weaker tea and can usually get seven or eight servings from a bottle. In it went. In went freshly boiled water. The cloudiness vanished, and there was a dark amber cup of tea with a strong, natural scent.

IMG_4875You know what? It’s lovely. Delicious and fresh. In fact, it tastes like a genuinely lovely cup of home-brewed proper tea. And unlike making Darjeeling at home it can’t be overbrewed (it’s such a bloody hard one not to tip into bitterness and since sugar in tea is an abomination unto Nuggan I am not going there). I’ve taken the rest of the bottle to work where I am, indeed, having slightly smaller servings for a lighter cup, and enjoying the taste of proper tea while it lasts. It does need to be refrigerated once opened, but as I sit in an open-plan office around 15 feet from a fridge, this isn’t a problem.

And yet… here comes the sticky bit. The cost. 6teas sells the tea in 3-packs, so 18 servings for £15.00. Even if you’re going to extract more like 22 servings, you’re still looking at, essentially, at least a 70p cup of tea. Now, knowing the costs of loose leaf and taking into account packaging, marketing, staff and expertise, I don’t think they’re overcharging in the slightest. From that perspective, I think it’s actually phenomenal value. But from my budget perspective, my 100g boxes of leaves can extract around 30 cups for around £10 (or 33p per cup). This is still way more expensive than a teabag, obvs, but we’re all a bit stupid about what we do with any disposable income we’re lucky enought to have, and that’s my indulgence. So what I need is tea fanatics with more money than me to spend lots and lots at 6teas until it brings the cost down a bit for all the rest of us.

IMG_4917All that said, I think it’s something I could be persuaded to get now and again, and if I attend the market in Yorkshire where my sister picked up her bottles I would buy some in person to support a local business I think has come up with a great-tasting, interesting, different product. Personally I’m not a fan of fruit infusions or floral blends – jasmine yes, Earl Grey yech – plus I don’t like vanilla flavouring in tea so I’d stick to BD or the green variety, but I hope they’ll be able to branch out to look at an oolong blend with a bit of success and encouragement.

The six blends are:

Big Daddy House Blend (Assam & Darjeeling)
Golden Green Tea (A fruity blend with Osmanthus blossom)
Pina Colada (flavoured black tea – not my cuppa, for sure!)
Rooibos & Vanilla (with a bunch of other flavourings, including strawberries
Red Fruit Dream (possibly my nightmare)
Russian Earl Grey (oh wait… but it is an interesting blend of Earl Grey and Russian Caravan if you like that kind of thing)

Or you can mix and match three together, or buy a gift card for a tea-obsessed friend. All available to buy online.

Disclosure: None needed as this was a gift and a voluntary review. I also blog with a friend about tea at Oolongingly.

Once there was a… failure?

So, I got nine days into my 30 day challenge and it all went a bit wrong. There are reasons. A full-time job that has required some extra cover. A week where I barely saw my daughter after which I felt it not just right but as necessary as breathing to spend more time with her wherever possible. A few late nights in a row…. I guess reasons start to sound like excuses in the end. And I can’t deny I’m disappointed with myself.

Still, I think even in nine days – and there is nothing stopping me simply restarting for a week or so, and I might still, since the desire is there – I learned the crucial lessons I was trying to hard to break into my thick skull that knew them but also didn’t. I learned that writing every day, and coming up with ideas from nowhere (when I’m so used to incubating them endlessly until they’re almost overbaked by the time they spill out) is possible – you can, if you want, force some creativity and it might be great, okay or utterly rubbish but it shall come. I learned that sharing a piece of writing in a raw, doughy, shapeless mass need not be terrifying. Most of the time, in fact, no-one will read it and there is an almost inexpressible freedom in that. When you suspect only four people are actually paying attention, it’s astonishingly liberating. I’m sure there is lots of common sense in writers seeking to be published professionally to think of audiences and tone, yadda yadda, but when you write just for the sake of removing the flaking orange rust from the dark cogs of your mind it’s so much more satisfying to please no audience except yourself. The skill of editing is a lesson for another day. Today we have just the words.

I might have achieved only a third of my original stated goal, but I broke a frightened thought pattern in my own head, and that was, after all, the point of proceeding. And an idea for something to actually do with all these fragments has also occurred to me… if I can keep that thought pattern broken for long enough to attempt to achieve it.

But first, I think, a little more writing. Maybe today (does this count?), maybe not. But soon. And more often. And happier.

OTWAG: Watching

Once there was a girl who had blue plaits and black eyes, with a tiny dot of gold twinkling in them. She used those eyes to Watch.

She Watched while the child slept, covers hanging off, one leg at an unlikely angle. She Watched while the child played, making a carefully constructed mess. She Watched while the child sang to herself in her bed when she knew it was too early for anyone to come for her. The girl liked to imagine the child’s songs were meant for her, rolling somewhere around a tune and never squarely landing on it.

The girl could not remember when she had started Watching, and she didn’t know what she was Watching for, but she knew this was what she was meant to do. She could just about remember the child as a baby, and was vaguely aware that her charge was getting bigger, but the passing of time was of no real interest to her. When the child was not in her room, the girl simply waited; not impatiently, because there was no schedule. When the child came back, the girl silently Watched. At all times she wore a smile that was a slim, tight line in her face.

The girl was also vaguely aware that she must be wearing something; she had noted the child’s clothes, and how she got into special ones at night, which was quietly fascinating. But she’d never been too interested in looking at her own clothes; had she paid any attention she’d have seen a red and white striped top and yellow trousers. There were heavy blue boots that matched the colour of her thick plaits. But these were not the things she Watched.

Gradually, the girl did notice one change. It was getting harder to Watch, because the view was getting less clear. She found the girl was getting… fuzzier. Greyer. Sometimes the details of her clothes were hard to make out. Watching sleep became nearly impossible now the night-light was no longer used; the grey and the dark merged into one as if the blanket was now over the girl and not the child. Who had also moved to the other side of the room, and a bigger bed. In the morning she no longer sang and her limbs didn’t hang out of the bed like a flopping starfish. She was, the girl was fairly sure, cocooned in a roll and she didn’t bounce out of bed with as quite as much energy, though she cried much less and she dressed herself much faster.

The girl Watched as the mother came into the room with the girl one morning and started brushing something onto the walls. Patches of colour, she thought, in shades of pale purple, light green and creamy yellow. They seemed to argue a little over what they preferred, though eventually the mint shade seemed to win out. They started creating a pile of things in the corner of the room; a huge white sheet, a few fat tins – it was hard to make out the details through the dimness that wasn’t getting any better – and some blades that still managed to cast a glint of light into the girl’s black eyes.

When the sheet was laid down, the girl was Watching. When the blades were taken up, and began scraping at the wall opposite, the girl was Watching. When the child and her mother splashed water on the walls and scratched and peeled and tore and laughed, the girl was Watching. When the pair started working their way around the room in opposite directions, coming towards the girl from either side, the girl was Watching. When the child looked straight at her, and rubbed a sponge across her face, clearing the greyness just for a moment, the girl was Watching.

When the first coats of paint went on, the girl was gone.

This is the ninth attempt in a writing challenge I have set myself.

OTWAG: The Pink Paper


Once there was…

Once there was a girl.

Bloody hell, it’s cold in here. So many lies, some big, some small, and the one that bothers me most of all is how they promised we would be comfortable but instead it’s anything but.

Once there was a girl. She lived in a cold, hard, dark place.

I thought maybe if I started writing it down, it might feel a little less lonely in here. I mean, there’s 74 of us, including the kids, and that should be busy enough for anyone. We filled a coach, you know? And there’s all different ages and stuff. But it’s like when you’re a kid and people expect you to just get on with other kids because you’re all, well, kids. I think a couple of people were neighbours, and everyone looks vaguely familar; all from the same area, of course. But it’s not like anyone here was actually friends. You can’t take 74 people, shove them in a place like this and expect them to just… get along.

Once there was a girl. She lived in a cold, hard, dark place. It was meant to keep her safe. It was meant to keep her family safe.

At least I have my family with me. There was one woman, Hayley… her husband was away travelling and her kids had been sent to her in-laws for a week to get them out of the way of the chaos. We’ve been here a week and she hasn’t stopped crying. They burnt all the kids’ toys, but she managed to sneak something in with her – God knows how, with all the showers and suits and all the rest of it. It’s this tiny little plastic thing – like a toy you get in a chocolate egg? I know some of the others are pissed at her and regard it as, like, a threat. So they avoid her. I wouldn’t mind sitting with her. At least she doesn’t try to talk to anyone. But dad would kill me. He’s one of the ones who’s scared of her.

The girl was grateful that she got to keep her dad and her little brother with her. She saw people around her who had lost everything. And she wondered if they really wanted to be safe anyway.

That’s the thing about being saved. No-one ever asks you if you really want it to happen. Hayley had to be sedated when she realised they weren’t going to be picking anyone up and bringing them to us. The best they could offer was that the evacuation programme was going on everywhere, so if they were deemed low enough risk to be assigned to a camp, her kids and husband might, separately, survive. They’d be undergoing screening at the same time.

Screening. It sounds pretty reasonable, doesn’t it? And you know what? It’s not even a bad procedure. It’s not humiliating. They make it kind of comfortable. If you could see the nurses’ faces you’d reckon they were being kind. Just a drop. Pink card. If it stays pink, you get on the bus. If it goes blue, you’re on your own. They say if it goes black there is no bus, and the whole thing shuts down there and then. Only how does anyone know this? We were told about pink and blue. They were honest about that. But if it’s all just happening know, where did the black story come from?

She had been so relieved when the paper had stayed pink. And then she had been terrified, because she’d gone in first and her brother was right behind her so that he’d feel confident and safe because even though he wasn’t really a little little brother he was still her little brother and he needed her. But then they let her stay to see. And he was fine. And then their father made them leave the room for his test and they sat, cold hand in cold hand, in the bus waiting room for the two minutes that felt like days.

It’s funny. It’s maybe the first time I’ve been grateful that my mother isn’t around anymore. She was spared all this.

They had been in the cold, hard, dark place for only a week, but already there was a routine. Everyone ate together, four times a day. They didn’t really have any tasks to do other than prepare food and clean up afterwards and it was warmest in the ‘kitchen’ where the fire was. They’d been given enough food and fuel to last months and promised more was coming, so they weren’t saving much. Though now, as the truth dawned about how little they’d been told and how much had turned out to be accurate only on a technicality, they did wonder if they should start rationing. Because what if those supplies never came?

What’s the phrase when something is missing and it’s really obvious? Conspicuous by its absence? That would be the best description of our medical supplies. We have enough to deal with a grazed knee and that’s it. We each got The Shot (I don’t know why, but whenever anyone talks about it it’s like it has capital letters and that’s just how I think of it now), and then that was it. They never did answer the question of what happened if The Shot didn’t work. Just some waffle about how it wouldn’t be an issue, because it always worked.

Kit, this girl of, oh, I dunno, I think she’s about 9? Anyway, she asked how come they got to wear the suits and round up the people and how we could qualify for that (she actually used the word qualify, immensely smart kid, I like her but she kinda scares me). That didn’t even get waffle. Just totally ignored.

Among those still-plentiful supplies, though, the girl was surprised to find they had been given paper and pencils. She decided to write down her story, as much as she could, in case that food ever did run out. Because someone should be able to know what happened here.

If only the girl was ever able to figure it out.

This is the eighth attempt in a writing challenge I have set myself.

OTWAG: Bedtime Story

“Once there was a girl-”

“What did she look like, Mummy?”

“Well, if you let me carry on reading, maybe you’ll find out.”

“Once there was a girl with big, blue eyes-”

“I don’t have blue eyes. Can she have brown eyes, like me?”

“If you like, but we don’t know yet if her having blue eyes is part of the story or not.”

“You mean like maybe the story is about how she stopped having blue eyes and got brown eyes instead because they’re better?”

“Why are they better?”

“Because I have brown eyes and you have brown eyes and Daddy has brown eyes.”

“Why are we better?”

“Because… we have a cat.”

“Okay. Well, anyway. I can make her have brown eyes if you want. I’m just warning you that it might change the story. Which is fine – there’s always room to make up your own stories if you want.”

“No, I want to read that story. With brown eyes.”

“Alright. So. Once there was a girl with big brown eyes. Her eyes could see the future-”

“What does that mean?”

“It means she could see what was about to happen.”

“What, like, on a TV?”

“No, in her head. Like if you read a book and you can picture what’s happening in your imagination. Only her imagination is what’s going to happen. At least, I think that’s what they’re trying to say. We might need to read a bit more to understand it properly. It’s good to have questions, but sometimes if you wait, you’ll get your answer.”


“Anyway… She couldn’t see just any future. She couldn’t see what would happen to the baker, or the doctor, or her parents’ friends, who gathered like crows around the dinner table to peck at food and ask her questions she didn’t want to answer. She could only see the future of her own hands. She could see, in her mind – see? – what her hands would be doing, at some point in the future.”

“That sounds a bit silly.”

“Gifts are often a bit silly, until you work out what you can do with them.”

“What’s a gift?”

“Like a present. Some people think from God. It’s something you can just do, without really knowing how.”

“Like how I can read better than Olivia?”

“Well, not exactly, because you practised and learned to be able to do that. But maybe if you’d been able to read the very first time you’d opened a book-”

“But I could! I could do that!”

“Er… well, no. But anyway. Can we carry on?”


“Sometimes she could tell the hands were a long way in the future, because they were grown-up hands, with marks and veins, or wearing rings she knew she didn’t have. But she recognised them as hers because of the strange bend in her right little finger, where she broke it once and didn’t realise so it set funny and was never completely straight. And the skin around the nails was all bitten down and scarred and that was a bad, bad, worst ever habit of hers, as her parents’ friends so often liked to point out to her.”

“I don’t think the blue eyes really matter, Mummy.”

“You might be right. Sometimes she could see that the hands weren’t that far in the future, because she they were young and soft, and had a fresh scratch from the cat that she’d only got that day and which hadn’t faded yet.”

“I got a scratch from Penny’s dog.”

“What? Did you? When was that?”

“Well, her Mummy came to school with Penny’s dog which is called Milo and Milo jumped up on me to say hello and Penny’s mum said he doesn’t hurt people but he did, he scratched my hand as he was jumping down again.”

“Hmmm. Was it an accident? How big is Milo?”

“Bigger than Fluffy, but smaller than me. Now can we read more of the story?”

“Oh, yes. Hmm. Anyway. The hands would always be doing something different. The first time it happened, she saw her young hands tending a saucepan on the stove, and later that day she was sent to make soup for dinner. At the moment that her hands moved in the patterns she had seen in her mind’s eye, her heart raced for a second and her face flushed and there was ringing in her ears that made her father speak sharply to her as the soup almost boiled over. And then everything went back to normal and she realised that she had seen the future.”

“I like soup.”

“Me too.”

“I like soup with chicken and peas and noodles.”

“Mhm. After that first vision, the girl saw her hands more often. At first it was always the near future; the same day, or the next morning. Later it became here there and everywhere. Sometimes she had so many flashes of what was to happen that she’d forget she’d seen something until the sudden ringing in her ears happened while she was sewing, or writing, or holding a book, or opening a window, or brushing her hair. The ones from the near future were never that interesting, but some of the far future ones were intriguing-”

“What’s in-tree-ting?”

“In-trigu-ing. With a ‘g’. It means… it means when something makes you really interested in what’s going to happen. Like when you’re watching a really good film or reading a really good book and you don’t know what’s going to happen next but you really want to.”

“Is this story in-treek-ing?”

“It’s a ‘g’, not a ‘k’. I guess this story could be intriguing. Do you want to know what happens next?”


“Do you really, really want to know?”


“Then I guess, to you, this story is intriguing.”

“What does happen next?”

“Let’s find out. Where was I… Right. She had seen herself holding hands with other people, older, younger, the same age, male, female. She had seen herself petting an animal she didn’t know. She had seen herself holding a walking stick, but her hands did not look old. She had seen a tight grip on a wooden rail and felt sweat between her fingers. She had seen herself buttoning shirts, stirring pots, scratching her knee, shaking a fist.”

“Can you scratch my knee? I think there’s a cut on it.”

“There’s no cut. Where on earth did you get that bruise from?”

“I was playing with Olivia and Archie and we crashed into each other and I fell over. But it was really funny, and then Peter laughed and Mrs. Jane said that was mean but I was laughing too.”

“Right. It was an accident, then?”


“Well, I guess that’s okay then. And now, it’s time to put in the bookmark…”

Ohhhhh. But I want to know what happens next!”

“And so you will. Tomorrow. Because your great big brain and your bruised knee need some rest. And so does my voice.”



“I have a joke for you.”

“Go on.”

“Why did the cow get in the spaceship?”

“Why did the cow get in the spaceship?”

“Because it wanted to see the baaaa-oink-quack-moooooooon.”

“I see. Thank you. Good night, Squishy.”

“Night night.”

This is the seventh attempt in a writing challenge I have set myself.

OTWAG: Resolution

Once there was a girl who had a really quite terrible day.

The toaster blew out. The train was slow. Her chair was squeaky. The tea went cold before she had a chance to drink it. Her boss was unhappy with her work. Her favourite shoe sprang a leak. In a puddle. And when she got home, her cat had vomited in the middle of the sofa.

As she cleaned, wretched, and cleaned, she knew how the story was supposed to go. She was supposed to count her blessings, because it could all have been so much worse. This much was true. The toaster could have exploded. The train could have derailed. The chair could have broken under her. The tea spilled on her lap. The puddle tripped her up. The cat could have been dead.

All of this was true, and she knew it to be true. But it didn’t exactly make her feel any better. In fact, she felt just a little worse. Because now she’d had a bad day and she was ungrateful.

She stared at the cat, who glared back with a look that told her that he, personally, had all day if she wanted to waste it. “I wish I could be a cat,” she said to him, ruffling his head only slightly maliciously in a way she knew he didn’t really like. “If this were a great story we’d swap lives for a day. I’d learn that being a cat is quite boring, and be grateful for my life, and you’d go and… I don’t know. Shit in my in-tray or something.”

There was a moment where, if she was totally honest with herself, she almost expected it to happen. Or for the cat to speak like one from her childhood books. And she became unreasonably irritated when nothing at all happened except for the cat getting fed up and running away. Because she once again had to trample on the little part of herself that believed in something way more exciting and interesting than bloody fairies. Her magic would never come; would stay trapped in paper and pictures, in mirrors and movies.

Why did it all have to be so slow? Why did she have to wait to feel better? A wiser woman than she had once told her that her stomach knew everything. And it was true. Right now, when everything was just a little bit terrible – not a lot, but enough – he belly ached and she felt sick and hungry.

The worst part was, it was such… mediocre… misery. I mean, there was nothing wrong enough to go on a grand destructive rampage, full of symbolism and fatal flaws (though in retrospect she found those a bit irritating; she was exactly the kind of person who could never live with a dreadful secret because her terribly pragmatic soul basically insisted that if everyone just spoke out about their problems the secret wouldn’t bother them in the first place). It was just a bit flat and nothing. A bit here and there. A bit “oh well everything’s okay really“.

The girl drank her tea – hot, this time, thanking goodness for small mercies – and gave the cat a few guilt treats. She scratched at the sore patch in then crook of her elbow, and ate noodles with chilli that was a bit stronger than she could really tolerate but seemed to burn some of the sour taste from her mouth. She eased herself into a bath that, in the tradition of the day so far, ran out of hot water before it was properly relaxing even though she didn’t even like really hot baths (how fair was that?).  In short, she waited. Waited for the lesson, or the realisation, or the epiphany, or even the real misery to show itself.

Impatiently, angrily, she went to bed and had a poor night’s sleep.

The next day should have been better. Shouldn’t it?

This is the sixth attempt in a writing challenge I have set myself.